I got myself a second-handed Mooer Hustle Drive mini-pedal, a Chinese clone of the Fulltone OCD.
Overall, these little pedals (I also have an Orange Ninety and a Green Mile) sound really good, are really well built and take very little space on the pedalboard. All that for an affordable price.
One odd thing I noticed with the Hustle Drive was that the Volume control was almost unusable: the pedal has a huge gain when the Volume knob is set fully clockwise, and it becomes attenuated enough to reach unity gain (same level whether the pedal is on or off) at around 2 or 3% of the knob position (on the CCW side), while the rest of the travel has little effect (massive gain throughout).
Tymkrs created a component-level modular analog synth platform based on solderless breadboards and a 25 keys keyboard. This setup should make synth prototyping (and transport) so much easier! Good work!
Some NPO (Non-POlarized) capacitors may have a stripe on their package. Since this can’t be a polarization indication, you might wonder what it means.
A capacitor is made of two conductive elements separated by a non conductive element. In cylindric capacitors (both radial and axial), there is a central core for one conductive element, and an outer shell that makes the second, with some non-conductive substrate in the middle.
The mark on an NPO point to the outer shell. This can be interesting if you need an end of your cap to be grounded. Grounding the outer shell provides isolation from EMI and prevents noise getting in the capacitor.
Since the birth of audio electronics, the audio transformer has played an important role. When compared to modern miniaturized electronics, a transformer seems large, heavy, and expensive but it continues to be the most effective solution in many audio applications. The usefulness of a transformer lies in the fact that electrical energy can be transferred from one circuit to another without direct connection, and in the process the energy can be readily changed from one voltage level to another.